{"id":11497,"date":"2016-08-16T09:06:45","date_gmt":"2016-08-16T09:06:45","guid":{"rendered":"https:\/\/fiualumni.com\/?p=11497"},"modified":"2018-05-09T14:03:21","modified_gmt":"2018-05-09T14:03:21","slug":"design-ingenuity-from-the-netherlands-to-grace-the-wolfsonian-fiu","status":"publish","type":"post","link":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/2016\/08\/16\/design-ingenuity-from-the-netherlands-to-grace-the-wolfsonian-fiu\/","title":{"rendered":"Design Ingenuity from the Netherlands to Grace the Wolfsonian\u2013FIU"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">In Fall 2016, The Wolfsonian\u2013Florida International University will debut <i>Modern Dutch Design<\/i>, an examination of innovative design from the Netherlands between 1890 and 1940. On view November 18, 2016 through June 11, 2017, the exhibition traces how Dutch designers, architects, and artists evolved in the modern age\u2014cementing their country\u2019s reputation as a center for cutting-edge design\u2014and follows the development of unique styles and movements including Nieuwe Kunst, the Amsterdam School, and De Stijl. Over 200 works ranging from furniture and metalwork to posters and drawings will reveal how these pioneers responded to radical shifts in social and political life, promoted international travel and trade, and found inspiration from the cultures of the Dutch colonies overseas.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In tandem with <i>Modern Dutch Design<\/i>, The Hague-based contemporary artist Christie van der Haak will activate the exterior of The Wolfsonian\u2019s iconic Mediterranean Revival-style building by wrapping sections with her signature, tapestry-inspired patterns. Van der Haak\u2019s bright, intricate ornamentation will visually announce <i>Modern Dutch Design<\/i> to passersby in South Beach, bring the legacy of Dutch design shown in the galleries into full public view, and bridge the exhibition\u2019s historic focus into the now. Funded by generous support from the Mondriaan Fund, Creative Industries Fund NL, and the John S. and James L. Knight Foundation, the installation promises to be among the largest public art experiences on Miami Beach during Miami Art Week 2016\u2014spanning three levels on two sides of the fa\u00e7ade, and reaching a height of more than sixty feet above street level. Nightly wall projections on the museum\u2019s north face will also expand on this exciting encounter with contemporary Dutch design.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cDuring these decades, Dutch design shows a constant tension between structure and decoration,\u201d said Wolfsonian curator Silvia Barisione, who organized the exhibition. \u201cTogether with an emphasis on geometry, this tension reaches its purest form in the plain and abstract language of De Stijl, the avant-garde movement that had such a major impact on postwar and contemporary designers. We\u2019re thrilled to be mining the riches of The Wolfsonian\u2019s collection to illustrate this trajectory to the public with some of the greatest examples of Dutch design in the U.S.\u201d<\/span><span class=\"s2\"><br \/>\n<\/span><span class=\"s1\"><br \/>\n\u201cWhen I saw the tiered fa\u00e7ade of The Wolfsonian, I was over the moon,\u201d explained van der Haak. \u201cIt is the perfect canvas for my work, which consists of patterns and the interweaving of different patterns. By changing patterning by floor, my project will trigger associations with design from various cultures and ages, mirroring the exhibition inside.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cEvery December during Art Basel Miami Beach and DesignMiami\/, the latest, trendsetting designs are presented to the world. We could not ask for better timing to present Christie\u2019s project alongside our unparalleled Dutch collection,\u201d said Tim Rodgers, Wolfsonian director. \u201cThe synergy between our exhibition of modern Dutch design and Christie\u2019s transformation of the museum\u2019s fa\u00e7ade will highlight the significant contributions Dutch designers and artists have made both in the past and in the present. Without a doubt, these presentations will be the talk of the design community during Miami Art Week.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Showcasing selections from The Wolfsonian\u2019s world-renowned collection of Dutch decorative arts and works on paper in addition to loans from the Museum of Fine Arts, Houston and the Kirkland Museum of Fine &amp; Decorative Art,<i> Modern Dutch Design<\/i> will provide a basic chronology of \u201cDutch style\u201d during its most influential period. After beginning with Nieuwe Kunst\u2019s flat, geometric, stylized motifs adapted from batik from the Dutch East Indies, the exhibition then explores two rival avant-garde stylistic movements: The Amsterdam School (with more ornate, sculptural elements) and De Stijl (featuring a minimalist palette of primary colors), which opened the way to Nieuwe Bouwen (New Building), the Dutch branch of Functionalism. From low-income housing plans to luxurious ocean liners and Bensdorp chocolate ads, <i>Modern Dutch Design <\/i>reflects design\u2019s mark on all aspects of Dutch life in this time\u2014the public, private, and commercial spheres alike.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Key works include:<\/span><\/p>\n<ul class=\"ul1\">\n<li class=\"li1\"><span class=\"s1\">A model of a mosque (c. 1893) that served as an advertising display for J.W. Smitt Tea and Coffee\u2019s products from the East Indies, expressing Europe\u2019s taste for the exotic and possibly showcased at the 1893 Chicago World\u2019s Fair;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">A 1898 poster by the Java-born artist Jan Toorop, announcing a lottery held at the National Exhibition of Women\u2019s Labor, which championed the improvement of the working conditions of the female labor force, and showing Indonesian influence through \u201cfear\u201d of empty space (<i>horror vacui<\/i>);<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Architect and designer Michel de Klerk\u2019s deep purple velvet armchair (1916) from a suite produced for the Amsterdam company \u2018t Woonhuis, with expressive sculptural forms and references to Indonesian architecture;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">A chandelier (c. 1915) with marine motifs and references to navigation and trade, also by de Klerk and featured in the offices of the Scheepvarthuis (Shipping House), the headquarters for six Amsterdam shipping companies that was widely considered the Amsterdam School\u2019s \u201cmanifesto\u201d;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">A clock and set of incense burners (c. 1920) by Amsterdam School sculptor Hildo Krop, whose works populate buildings, low-income housing, and bridges throughout Amsterdam;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Sculptor Bernardus Jakobus Richters\u2019 c. 1920 silk shade table lamp decorated in the batik technique, the Javanese wax-resist method adopted by Dutch Nieuwe Kunst artists and the Amsterdam School for bookbindings, objects, and furniture;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">The <i>Peer<\/i> [Pear] service (c. 1926) of Leerdam glassware by Andries Copier, exemplifying the new modern style that merged geometric proportions with natural forms, in this case a pear;<\/span><\/li>\n<li class=\"li1\"><i><\/i><span class=\"s1\"><i>Giso 404<\/i> (1927), a piano lamp of balanced geometric forms designed by J.J.P. Oud, one of the founding members of De Stijl, and produced by the Rotterdam manufacturer Gispen;<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">A 1930 poster promoting the annual trade fair Utrecht Jaarbeurs, founded in 1917 to revive the economic and commercial situation in the Netherlands, in De Stijl-inspired primary colors; and<\/span><\/li>\n<li class=\"li1\"><i><\/i><span class=\"s1\"><i>Van Nelle\u2019s Pakjes Koffie<\/i> [Van Nelle\u2019s Packed Coffee], a c. 1930 advertisement for the Rotterdam tobacco, coffee, and tea factory Van Nelle, evoking the De Stijl movement and German industrial design aesthetic to project Van Nelle\u2019s progressive, modern public image.<\/span><\/li>\n<\/ul>\n<p class=\"p1\"><span class=\"s1\">The Wolfsonian will publish a full-color book to accompany the exhibition, with essays by Barisione; Marjan Groot, senior lecturer in the history of design at the VU University Amsterdam; Frans Leidelmeijer, Dutch decorative arts expert; and Mienke Simon Thomas, senior curator of decorative arts and design at the Museum Boijmans van Beuningen, Rotterdam.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Fall 2016, The Wolfsonian\u2013Florida International University will debut Modern Dutch Design, an examination of innovative design from the Netherlands between 1890 and 1940. On view November 18, 2016 through June 11, 2017, the exhibition traces how Dutch designers, architects, and artists evolved in the modern age\u2014cementing their country\u2019s reputation as a center for cutting-edge [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":11498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[69,412],"class_list":["post-11497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-community","tag-the-arts","tag-wolfsonian-fiu"],"_links":{"self":[{"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/posts\/11497"}],"collection":[{"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/comments?post=11497"}],"version-history":[{"count":1,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/posts\/11497\/revisions"}],"predecessor-version":[{"id":15304,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/posts\/11497\/revisions\/15304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/media\/11498"}],"wp:attachment":[{"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/media?parent=11497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/categories?post=11497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fiualumni.com\/stay-connected\/alumni-news\/newsroom\/index.php\/wp-json\/wp\/v2\/tags?post=11497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}